Thursday, November 14, 2013

Appalachian Photography Exhibit

                                           Portrait of Newton Hylton by Earl Palmer


Earl Palmer’s Photographs of Appalachia on Display at Perspective Gallery
 

My Friend Earl, an exhibit of Earl Palmer’s twentieth century photographs of Appalachia will be on display at the Perspective Gallery  November 14, 2013 through January 3, 2014. There will be an opening reception at the gallery on Friday, November 15, from 5 to 7 p.m.   Music will be provided by Old Man Kelly http://www.oldmankelly.com/  Both the exhibit and the reception are free and open to the public. The Perspective Gallery is located on the second floor in Squires Student Center. Gallery hours are Tuesday through Saturday, noon to 9 p.m., and Sunday, 1 to 5 p.m. through December 12.  The gallery is closed on Mondays and during Thanksgiving week.  Gallery is open by appointment only after December 12.

Earl Palmer (1905 – 1996) was mountain born and became a local legend after moving to Cambria, Virginia and becoming the “Mayor of Cambria” and the owner of Palmer Grocery. In 1990 Jean Haskell a former Virginia Tech Professor in the Appalachian Studies program published a critical and biographical commentary based on extensive interviews with Earl Palmer.  The book titled The Appalachian Photographs of Earl Palmer included 120 of Palmer’s best photos.  Dialogue from this text is included in the exhibit.  Also supporting the photos are artifacts on loan from the Appalachian Studies Program at Virginia Tech.

 
The photos in My Friend Earl are on loan from the John Kline collection and spans more than 50 years of images gleaned from Earl Palmer’s travels through the rural Appalachian landscape of the southern mountains of Virginia, West Virginia, Tennessee, North Carolina and Kentucky.  Through his photo narratives, Earl captures the strength of character and the self-sufficient lifestyles of the mountain people he encounters along the way.  The exhibit of black and white photographs is an important documentation of Earl’s vision of a culture on the edge of transition.
 
Robin Scully Boucher

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